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‘A REAL LESBIAN WOULDN’T TOUCH A BISEXUAL WITH A BARGEPOLE’

Contesting boundaries within the construction of collective identity. Abstract

Drawn from a study associated with the construction of collective identification in DIVA mag between 1994 and 2004, this short article considers the discursive contestation for the boundaries necessarily, however never ever straightforwardly, erected in the act. Analysing first a range of articles and 2nd (and much more considerably) debates about who ‘we’ have been in and between readers’ letters, the content centers on the ‘trouble’ posed by bisexuality in this era. Visitors draw on and competition a cluster of interrelated characterisations of bisexuals: as undecided, as a type or type of pollutant, so when inadequate facsimiles of ‘real lesbians’, also just about available characterisations of ‘us’. These arguments are fundamentally handled editorially, and constantly ‘end’ with calls for acceptance. This doesn’t completely recover the ambiguity with which bisexuality is managed, but, in addition to article concludes by speaking about the s that are dilemma( faced because of the thought community.

Introduction

The work offered right here originates from a study associated with the construction of collective identification in DIVA, Britain’s very first main-stream commercial magazine that is lesbian in its first a decade in publications (1994 2004). Dramatically, DIVA continues to be truly the only commercially successful, nationally distributed magazine that is lesbian 1 celebrating in 2014 its twentieth birthday, an unprecedented milestone for the lesbian mag within the UK, commercial or elsewhere. Where other games (Arena Three into the 1960s and 1970s, and Sappho within the 1970s and 1980s see Turner, 2009 , to get more information in the timeline of Uk lesbian publishing) more or less swiftly became the victims of circumstances both regional and worldwide, DIVA has survived in a time period of considerable social and governmental modification. As a result, it really is a text whose analysis that is close both crucial and satisfying the initial a decade, by which it discovered a foothold which had evaded its predecessors, especially therefore. DIVA arrived during the height of lesbian classy, a trend that place lesbians everywhere and nowhere at one time (Turner, 2009 ), with all the vow that even and dykes that are especially‘regular town’ would get in its pages a house (Williams, 1994 , p. 4). Also hoping to result in the publishing business Millivres Prowler a return on its investment, DIVA had been an unique enterprise in more methods than one.

Not surprisingly, it as well as other publications that are lesbian gone mainly untouched by academics. Although we have actually substantial records of females’s life style mags like Cosmopolitan (see, e.g. Chang, 2004 ; Machin & van Leeuwen, 2003 ; Machin & Thornborrow, 2003 ; McMahon, 1990 ; Ouellette, 1999 ) or teenage publications online porn cams (Carpenter, 1998 ; Massoni, 2004 , 2006 ; Schlenker, Caron, & Halteman, 1998 ; have all written about Seventeen alone), extremely work that is little been done on lesbian publications. Also without contrast towards the considerable literary works on ladies’ (and, because the very very very early 2000s, guys’s) mags, your body of work handling lesbian publications appears tiny. Koller ( 2008 ), Driver ( 2007 ) and Lewis ( 1997 ) consist of texts from lesbian mags within their studies (as well as in fact all consist of articles from DIVA), and many bigger scale studies of US homosexual and lesbian mags occur (see Cutler, 2003 ; Esterberg, 1990 ; Streitmatter, 1993 , and specially Sender, 2001 , 2003 , 2004 ), but no other researcher has scrutinised A uk lesbian mag with any remit that is comprehensive.

The research from which this analysis is taken ended up being largely inspired by a need to deal with this space inside our knowledge, and therefore a sample that is sizeable including all 95 dilemmas of DIVA published amongst the launch problem in might 1994 and might 2004, ended up being opted for. This time around duration had not been therefore arbitrary a variety as it might appear; being the first ever to critically examine this text with an intention in discourses of identity needed the analysis of an amazing amount of manufacturing, and also this test allows a thorough diachronic analysis across a time period of crucial change that is social. It bridges two different years, ten years when the lesbian that is britishto utilize an insufficient but expedient construct) underwent significant alterations in regards to politics, legislation and her exposure in conventional news (cf. Turner, 2009 ). Broadly speaking, the goal would be to create a summary of DIVA across a decade, explaining accurately the existence and/or absence of, or modifications to, specific traits regarding the mag’s content; to explore the contexts of these traits; and also to pursue a much much deeper, hermeneutic analysis for the substance associated with magazine and its particular (re)construction of lesbian identification.

Although the analysis presented in this essay is predominantly discursive (see below for my way of the precise texts analysed), a blended technique approach ended up being taken, in addition to conversation additionally includes insights garnered utilizing two extra and complementary methods: (quantitative) content analysis and (semi organized) interviews with key editorial staff. Content analysis had been carried out using each mag (coding kinds of content), each article (coding topic and reference that is person and every advertisement (coding item, regularity and size) since the product of research, enabling a type of ‘mapping’ of the test. The interviews, with founding editor Frances Williams, her successor Gillian Rodgerson, present deputy editor and few years staff author Louise Carolin and Kim Watson, that is now Millivres’ news and advertising manager but served for several years in advertisement product sales and advertising, had been led by Chouliaraki and Fairclough’s ( 1999 , p. 62) advocacy of ethnographic work with discourse analytic jobs to be able to explore ‘the thinking, values and desires’ of individuals. The interviews had been created as a way of learning more about the founding regarding the mag, its staff (functions, routines and laws), the emotions of these in roles of energy, the imperatives put down by the publisher together with relationship between DIVA as well as its visitors.

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